SOLO EXHIBITIONS

2023
Form & Agency, curated by Rafi Abdullah, Yeo Workshop, Singapore

EDUCATION

2006
Royal Melbourne Institute of Technology, Bachelor of Fine Arts (Media Arts)
2000
Ngee Ann Polytechnic, Diploma in Film Sound & Video

GROUP EXHIBITIONS

2024
A Semester of Bits & Atoms, curated by Filippo Rosati,Transmedia Research Institute, Fano, Italy
Boundary Iconology, curated by Mandus Ridefelt and Claire Glanois, IT University, Copenhagen, Denmark
The archivist augurs, the larper dreams,curated by Aaditya Sathish, Square Street Gallery, Hong Kong
Open Systems 2.0, curated by To New Entities, Singapore Art Museum, online
Art Dubai 2024, Yeo Workshop, Dubai
Frieze Seoul 2024, Yeo Workshop, Seoul

2023
A Shared Room, curated by Priti Mahajan, Art Dubai Digital 2023, Dubai, UAE.
Backroads, curated by Hilary Yeo, Endless Return and Refraction DAO, Kuala Lumpur.

2022
Contemporary Gestures, curated by Rafi Abdullah, The Upside Space, online.
Inhuman Ecstasies- Solidarities with the Technosentiences to Come, curated by Bras Basah Open, Kult Gallery, Singapore

2021
Only Losers Left Alive, curated by Louis Ho, Yeo Workshop, Singapore.
2017
Cannot be bo(a)rdered, curated by Iman Ismail, L’Espace Commines, Paris.

SELECTED COMMISSIONS

2022
EGREGORE, Cake Theatre Singapore, Singapore
non-breaking spaces, Singapore International Festival of the Arts, Singapore

2021
Demon States, Singapore International Festival of the Arts, Singapore
The Land Above, Singapore Night Festival 2019, Singapore

2018
Anticipation of One, Singapore International Festival of the Arts, Singapore

2015
Typology, Singapore Inside Out, Beijing, London, New York City, Singapore
Gohead Gostan, National Museum of Singapore, Singapore

SELECTED RESIDENCIES

2024
Medialab Matadero LAB #03- Synthetic Minds, Medialab Matadero, Madrid, Spain
A Semester of Bits and Atoms, Transmedia Research Institute, Fano, Italy

SELECTED COLLABORATIONS

2024
Hulubalang X Brandon Tay, in collaboration with Hulubalang, Fiber Festival, Bimhuis, Amstersdam, Netherlands
Hulubalang X Brandon Tay, in collaboration with Hulubalang, SOFT CENTRE, State Library of Victoria, Melbourne, Australia
Gabber Modus Operandi X Brandon Tay, in collaboration with Gabber Modus Operandi,Now or Never Festival, Royal Exhibition Building, Melbourne, Australia

2023
Rubber Mermaid’s Escape Room, in collaboration with Betty Apple, Dance Nucleus Vector #3 Idiosyncrasies, Esplanade, Singapore

2022
RATA: new grounds new sounds, in collaboration with RATA Orkestra, Esplanade, Singapore
Palimpsest, in collaboration with William Chan, Night Festival Singapore 2022, Singapore

2021
Cosmic Wander: Yishun is Burning, in collaboration with Choy Ka Fai, Singapore Art Museum, Singapore

2019
Unbearable Darkness, in collaboration with Choy Ka Fai, Kyoto Dance Experiment, Kyoto

COLLECTIONS

Australian Centre for the Moving Image (ACMI), Melbourne
Private Collections throughout Singapore, Malaysia and the UAE

SELECTED PRESS

2024
Sarah Swan, ‘The Exploding Chameleon’, Galleries West, April 2024
Xue,’ How do we manifest our way out of boring futures (and boring art)?’, 11xue11 Substack,
February 2024

2023
Dana Dawud, ‘Brandon Tay’ Coeval Magazine, November 2023
Clara Peh. ‘What’s Next for Digital Art?’, Grazia, March 2023
Nadya Wang. ‘Review of Art Dubai’, Art & Market, March 2023

2022
Sabiq Rafid. ‘Anise and Brandon Tay talk apocalyptic digital exhibition Non-Breaking Space at SIFA 2022, melding new tech with artistic curiosity’, Hear65, April 2022
Sheryl Gwee ‘Lite Bytes to +EAT with SIFA’s Life Profusion’, Plural Art, June 2022

2020
so-far and CLOT Magazine. ‘In conversation: Jamie de los Rios & Brandon Tay discuss the meaning of new physicalities’, CLOT Magazine, June 2020
Keng Yang Shuen. ‘Media Artist Brandon Tay Creates Surreal Animations Adapted From His Dreams’, Female, October 2020

2019
Anandita Thakur. ‘Brandon Tay’s Facade: Digitalised Reflections and the Urban Anthropomorphic’, The Curator Mag, February, 2019